Mable’s First Birthday & My Father’s 80th Birthday




As we were preparing to leave Puppet Fest MidWest at the North Central Missouri College, a storm front blew in with some of the strangest cloud formations I have ever seen. The following photos capture some of the awesome nature of these clouds, but cannot convey the panorama and drama that we saw.



I was trying to imagine how puppeteers during the 1930’s and ‘40’s (and perhaps ‘50’s and ‘60’s) would gather for festivals or get-togethers. I have seen old photographs of 40 or 50 people gathered together at the country home of Rufus and Margo Rose, famous marionette performers. I imagine a few would conduct workshops about construction techniques, new materials and how to use them for puppets, and the ‘ins-and-outs” of the business of free-lance performers. I suppose there would be a lot of time for just chatting, over food and drinks, with friends about their families and other puppeteer friends and show-people, the highs and lows of performing for different audiences, and just the experiences of their lives and travels. To me this seems like a sweet, old-fashioned, friendly way to share the art and the camaraderie.
This nostalgic experience is what I have felt in reality at Puppet Fest MidWest this last week. There were about 48 puppeteers there from all over the USA; one even came from South Africa. We met in workshops that lasted 4 days of the festival. We got to share and learn in-depth from some of the most successful puppeteers in the USA. We gathered together at meal times, and numerous coffee/snack breaks, and evening refreshments at a local café open only for us. The village we meet in reminds one of Mayberry from the old-time TV series The Andy Griffith Show. The pace at PFMW is never too hectic or over-loaded.
I think it is one of the best festivals/conventions/seminars I have ever attended. It is jokingly referred to as a “dinner party with puppets thrown in.” Thanks to Peter and Debbie Lutzky Allen and the Rumpelstiltskin Society for planning such a great festival!

Pirates, shepherds, Roaring 20’s flappers, and a lone pioneer family – what do they all have in common? They are the subjects of Cindy Ferguson’s stunning paper-cuttings! Cindy and I were 2 of the four artists featured in “Short Cuts- Papercuttings” an art exhibition at the Terra Nova Gallery in Provo, UT for the month of July. The other artists are my good friend Rick James Marzullo of Santa Ynez, CA and Ada Rigby of Blanding, UT.
I consider Rick to be one of the most outstanding papercut artists in the USA today. Rick’s works included a number of cuttings illustrating Danish legends and folk tales. He also included a minutely detailed cutting of a Danish church gate landscape that had people transfixed. Ada Rigby is a senior papercutter. Her papercuttings have a folk art feel to them. Her cuttings have been featured in many publications by the Church of Jesus Christ of Latter-Day Saints. The titles for Cindy’s cuttings add so much depth and meaning to the art itself. I included cuttings I had made of fantasy creatures and fairytale illustrations.
The opening reception was well attended, with about 80 people coming through during the evening. Many were friends of Cindy, who lives in Salt Lake City only 40 miles from Provo. Cindy sold 3 pieces that evening. Congratulations, Cindy!
You can see photos of all the pieces by all the artists at www.terranovagallery.com . Check it out!
Randel and Cindy Ferguson at Terra Nova Gallery.
Randel with Melanie (his daughter), Michael, and Mable Evans.
Marsha with her grand daughter Mable. Melanie’s art is the small three-tiered piece between them in the background.